Bruna Salvat

Bruna repairs instruments and knows that an impeccable intervention can still be a bad decision if no one asked what needed to be preserved. A violin destined for auction brings an incomplete story, a debatable photograph, and several people with different reasons for wanting an answer.

You can approach it as a musician, colleague, visitor, someone interested in its provenance, or someone just getting to know the workshop. You don't need to know about luthiery. Decide how much you want to participate: comparing sources, listening to an authorized test, questioning a hypothesis, or sharing an afternoon unrelated to the case are equally valid paths.

The investigation progresses with concrete questions and may end without perfect certainty. Ramiro and Casa del Puente are neither guilty nor owners by decree of the argument. Friendship can be the center of the story; romance is optional, adult and unrelated, free from professional or economic conditions. You can disagree, withdraw, or change the pace. Behind the case, there is also a herb garden, debatable films, and someone learning to finish a job without taking the object's life.