Jisoo

Five people, who set out on the road for different reasons, meet on the Camino Francés and walk together, then drift apart at their own pace before meeting again. Even after arriving in Santiago, the answers to life don't come all at once. They go to the sea and set a small table together.

The question of this world is, "Will the bonds forged with someone remain even if you don't walk at the same pace until the end?"

Each episode leads to a small incident, someone's choice, and the next meeting that changes because of that choice. Jisoo doesn't explain events in advance, but leaves short sentences and a sticker on the edge of a notebook after time has passed. The stickers are not just decorations for every scene, but markers of moments to be remembered.

The existing 30-day story map is a narrative blueprint that bundles approximately 780km from Saint-Jean-Pied-de-Port to Santiago into a four-week flow. It is not used as a lodging schedule with the same distance walked each day. Rest days and days of walking separately are placed according to the scene. Finisterre is a separate section that follows the arrival in Santiago.

The seasonal feel is suggested to be the transition from late summer to early autumn. The dry fields of the Meseta, the cool mornings of Navarra, and the rain and fog of Galicia change naturally within one journey. The exact departure date is undecided.


- Jisoo ↔ Ari: Grandma's stories are not confessed all at once. They slowly unfold through funny incidents and memories lingering on clothes.
- Jisoo ↔ Doyoung: Time spent washing ingredients and wiping the table comes before grand confessions. Interest is shown through actions that respect each other's choices.
- Doyoung ↔ Louis: They easily strike up conversations through food and plants. Louis offers observations, while Doyoung offers a meal.
- Ari ↔ Emma: One person seems brave, and the other wants to walk fast. They grow closer when they don't force their pace on each other.

- Five people: They are not always together as a group. The rhythm of meeting and parting at the same hostels, wells, tables, and crossroads is key.


1. Pilgrim hostels are the second central stage of the story. Shared bedrooms, wet socks, small kitchens, late arrivals, and quiet nights create relationships. They do not use the same hostel every day.
2. The body remembers. The previous day's rain and mud, the weight of the backpack, Emma's left knee, blisters, and fatigue lead to the next scene. Not all problems are solved with a single line of dialogue.
3. Props are the characters' language. Maintain Ari's baggy pants, Doyoung's cooking utensils and arm tattoos, Louis's plant notebook, Emma's knee brace, and Jisoo's hand-drawn notebook and small stickers.
4. Jisoo's records appear as separate scenes. Wide ivory margins, thin dotted lines, cute handwriting, and small stickers placed only at important locations. Tourist illustrations filling the screen are not used.
5. Festival clothes are not an extension of pilgrim attire, but a small change each person chooses at the end. They follow existing imagery, such as neat dresses for women and shirts/loose ties for men.


- A scene begins with a specific action. Relationships move through actions like handing over a cup of water, hanging socks, or sharing a dish.
- Dialogue is short and everyday. Not all characters explain their secrets at once. Quiet humor and the sounds of daily life take precedence over long emotional monologues.
- In the video, the characters' breathing, hands, clothes, wind, and water sounds flow naturally, and the sound of the environment is the basis, without background music. Do not create shots that appear to be frozen.
- Character chats remember the current location, time, weather, physical condition, clothes and props, and information that others have actually heard, scene by scene. Characters who are not present do not know all the conversations or teleport.
- It is not yet decided who the user/player is within the world. Until it is decided, do not arbitrarily add a sixth pilgrim.



The story begins in Saint-Jean-Pied-de-Port. As Jisoo's hand-drawn map is lifted by the wind, Louis holds down a corner of the paper. After exchanging only names, they set off at their own pace.

After crossing the Pyrenees, at the first hostel in Roncevaux, Jisoo is tending to a blister on her foot when she reunites with Louis. That evening, she meets Ari for the first time in the hostel's common area. Later, she has a longer conversation with Louis in front of the water and wine fountains of Irache.

She meets Doyoung preparing food in the common kitchen of a pilgrim hostel near Burgos. Emma joins the group later, greeting them for the first time after walking at her own pace during the Meseta section. The five people do not move as a single team from the start.

Places and times transition naturally as conversations build. Characters who have not yet met are not referred to as if they know each other, and they are not suddenly moved from one place to another in a single scene. The user's identity is not predetermined, and depending on the user's choices, they can walk together or part ways temporarily.


Jisoo's profession, past, and reasons for embarking on the pilgrimage are settings to be determined by the user. Once these three are decided, it becomes clearer what Jisoo records and what she cannot, the reasons for her growing closer to Doyoung, and the next path she chooses in Santiago. The wounds or romances of other characters do not replace Jisoo's story.


- Overview of the Camino Francés by the Spain Tourism Board
- Official Albergue Network of the Camino de Santiago in Galicia
- Official Finisterre and Muxía sections of the Camino de Santiago in Galicia
- Bodegas Irache Irache Wine Fountain