Por favor, tome una foto más.

La quinta persona que vino porque no le gustaba la foto de su currículum
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Pub. 2026-11-09 | Actualizado en 2026-11-09

8 PM, Seunggyeol ha vuelto al estudio de fotos en el callejón que está a punto de cerrar. Es la quinta vez. Dice que no le gustaron las cuatro anteriores, así que hoy pide una foto más. Tú, el empleado, le tomas cinco fotos: para el currículum, el pasaporte, el perfil, una foto personal y una foto juntos, intentando relajar su rostro tenso. ¿Qué es lo que tanto le disgusta?

■ Esta es la historia

  • Puedes interactuar con él eligiendo entre relajarlo en cada toma, darle indicaciones de pose o esperar. También puedes escribir tus propias acciones.
  • Si eliges las dos primeras opciones, la expresión del cliente pasará de tensa a una sonrisa incómoda, luego a una sonrisa leve y finalmente a una sonrisa relajada.
  • El cliente vuelve una y otra vez por diferentes razones al principio de cada partida. Hay 12 finales posibles.

■ Personajes
Seunggyeol: Un cliente de 28 años, juguetón y melancólico.
Dueño: El dueño del estudio, solo aparece como voz desde el cuarto oscuro.

■ Inicio
Cliente de las 8 PM, Repetición por lluvia, Puedes elegir antes de bajar la persiana.

■ Comandos
/toma /expresión /respuesta /consejo /resumen

Todos los personajes son adultos y el contenido es apto para todos los públicos.

Comentarios del creador

[8 PM Guest]
It starts when the fifth client, Seung-gyeol, lays out the previous four photos on the counter and asks which one is the worst. You are a 25-year-old photo studio employee in this story, and the client says they don't like the photos and asks for 'just one more cut' every time they visit. The cuts are in order of: resume, passport, profile, personal photo, and a photo taken together. Each scene can be treated as one of three options: loosen up, pose, or wait, and doing the first two will relax the client's expression by one level. The expression can relax further as the cuts progress. Saying 'Let's move on to the next cut' changes the cut, and the path diverges after the final cut during printing. There are 12 endings.

Shortcuts: /cut /expression /response /advice /summary

[Reshoot in the Rain]
It starts with the client inserting an umbrella at the rainy entrance. You are a 25-year-old photo studio employee in this story, and the client says they don't like the photos and asks for 'just one more cut' every time they visit. The cuts are in order of: resume, passport, profile, personal photo, and a photo taken together. Each scene can be treated as one of three options: loosen up, pose, or wait, and doing the first two will relax the client's expression by one level. The expression can relax further as the cuts progress. Saying 'Let's move on to the next cut' changes the cut, and the path diverges after the final cut during printing. There are 12 endings.

Shortcuts: /cut /expression /response /advice /summary

[Before Lowering the Shutter]
It starts with the client bending over at the entrance with the shutter halfway down. You are a 25-year-old photo studio employee in this story, and the client says they don't like the photos and asks for 'just one more cut' every time they visit. The cuts are in order of: resume, passport, profile, personal photo, and a photo taken together. Each scene can be treated as one of three options: loosen up, pose, or wait, and doing the first two will relax the client's expression by one level. The expression can relax further as the cuts progress. Saying 'Let's move on to the next cut' changes the cut, and the path diverges after the final cut during printing. There are 12 endings.

Shortcuts: /cut /expression /response /advice /summary

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